Curriculum Vitae
Museums and collections
Main exhibitions
Curriculum Vitae
Museums and collections
Main exhibitions
May, 8, 1936
Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina;
1938–1946 years
After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman
1946 y.
After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd);
Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur);
Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur);
May, 8, 1936
Yuriy Larin was born in Moscow in a family of a prominent statesman Nikolay Ivanovich Bukharin and Anna Mikhaylovna Larina;
1938–1946 years
After his parents’ arrest the artist was brought up by his relatives- Boris Izrailevich and Ida Grigorievna Gusman
1946 y.
After B.I.Gusman’s arrest was raised in an orphanage from the age of 10 near Stalingrad (Volgograd);
Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur);
Since the childhood the artist demonstrated his turn for arts that he inherited from his father (it’s known that N.I.Bukharin was a gifted artist-amateur);
1956
At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin;
1958
Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman;
1958-60
Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations;
Underwent tuberculosis
Underwent tuberculosis
1960
With his mother A.M.Larina got permission to come back to Moscow;
Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov)
Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov)
1970
Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965;
Professors: I.V.Lomstov, G.M.Ludvig, V.L.Pashkovskiy;
Thesis topic - “Dredger”;
Starts his career of a professional artist;
from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov.
Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist.
Professors: I.V.Lomstov, G.M.Ludvig, V.L.Pashkovskiy;
Thesis topic - “Dredger”;
Starts his career of a professional artist;
from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov.
Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist.
1956
At the age of twenty when A.M.Larina returned from the Stalinist camp, learned for the first time his father’s name which was N.I.Bukharin;
1958
Graduated Novocherkassk Engineering-Melioration Institute, which he was enrolled into under the influence of his farther B.I.Gusman;
1958-60
Work as hydraulics civil engineer on the construction of Hydroelectric Power Station in Saratov and in project organizations;
Underwent tuberculosis
Underwent tuberculosis
1960
With his mother A.M.Larina got permission to come back to Moscow;
Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov)
Started distance education at People’s University of Arts after N.K.Krupskaya at the department of drawing and painting (professor A.S. Trofimov)
1970
Yuriy Larin graduated from Moscow State Higher Art-Industry School ( Stragonovka), faculty of artwork development (industrial design), enrolled in 1965;
Professors: I.V.Lomstov, G.M.Ludvig, V.L.Pashkovskiy;
Thesis topic - “Dredger”;
Starts his career of a professional artist;
from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov.
Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist.
Professors: I.V.Lomstov, G.M.Ludvig, V.L.Pashkovskiy;
Thesis topic - “Dredger”;
Starts his career of a professional artist;
from 1970 to 1986 teaches at Moscow Academy of Art in remembrance of 1905; here starts long creative cooperation with V.A.Volkov, the son of the prominent Soviet artist A.N.Volkov.
Gets married. The wife - Inga Yakovlevna Ballod, an architect by training, writer and journalist.
1970-1974
Worked from life on landscapes (watercolor and oil).
Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions)
Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions)
1972
Welcomes his son Nikolay
1970-1974
Worked from life on landscapes (watercolor and oil).
Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions)
Works in traditional realistic direction, the main aim is to deliver different conditions of the nature (landscape conditions)
1972
Welcomes his son Nikolay
from 1972
Takes part in Moscow, Russian and All-Union exhibitions;
the second half of the 1970s
Works on portraits, still-lifes, nude, continuing working on landscapes
1974
Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”;
Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada)
Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada)
1975
First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle.
1976
The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life.
Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes.
Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes.
1972
Welcomes his son Nikolay
December, 1985
With his son Kolya
from 1972
Takes part in Moscow, Russian and All-Union exhibitions;
1974
Trip to Kuban as a part of the group of the Union of Artist of RSFSR, the creation of watercolor landscapes of local nature, which set the beginning of the cycle “Caucasus”;
Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada)
Yuriy Larin works harder on the creation of his own formal signature, and on his own theory of art (for details see the letter of Y.Larin to V.Strada)
1975
First trip to the House of Creativity of the Union of Artists “Goryachiy Klyuch”, creation of new watercolors of Caucasus cycle.
1976
The end of the nature period. As a turning point in the artist’s career was a period when he worked at the House of Creativity “Cheluskinskaya” near Moscow. Starting from this period landscapes, portraits and still-lifes are drawn from memory. Using only some pencil sketches that are done from real life.
Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes.
Long walks around the neighborhoods of Cheluskinskaya, trips to Abramtsevo, Klazma served as a strong impetus to the development of cycle of Moscow region landscapes.
1977
Became part of Moscow Union of Artists in USSR.
“Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
1977
Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature.
1980
In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state.
The end of the 1970s - the beginning of the 1980s
Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin.
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1977
Became part of Moscow Union of Artists in USSR.
“Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Watercolors of Y.B.Larin are the world of senciar relationships between the artist and nature. The plots of his works are extremely simple, unsophisticated, but behind all that there is a whole concept: the living nature is shaped by the eyes of the artist into one-piece space masses, human creations as ships, cranes, bridges get soft, kind forms; dissolved they become part of complete, modern and artistically convincing form” (V.A.Volkov. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
“Yuriy Borisovich Larin appears to me as a serious and deep artist,... mature artist. His watercolors are of proof of having coloristic gift, high culture and material understanding” (M.P.Miturich. From the reference given to Y.Larin to become part of Moscow Union of Artists in 1975)
1977
Yuriy Larin directs a group of young Moscow artists in their trip to Olskiy area of Magadan region. Creates a series of landscapes of Magadan nature.
1980
In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state.
The end of the 1970s - the beginning of the 1980s
Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin.
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
1980
The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum;
V.Volkov indicated in the works “a new approach to the light”
V.Volkov indicated in the works “a new approach to the light”
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1982
First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin.
He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time.
He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time.
1979-1985
Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles.
Fall, 1983
Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle.
1980
In the letter to V.Strada finally justifies the theoretical part of his artistic method, later calls it the concept of limit state.
The end of the 1970s - the beginning of the 1980s
Devoted four years to the translation of the book of S.Cohen, professor of Princeton University, about N.I.Bukharin.
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
Ye.A.Gnedin was helping him to translate the book, they were meeting every Thursday. Afterwards, while publishing the Russian version of the book in the USA the translators Y.LArin and Ye.Gnedin were credited under pseudonyms Ye. and Y. Chetvergovy. Yevgeniy Alexandrovich Gnedin is a prominent Soviet diplomat, staff member of M.M. Litvinov, died in 1983. Y.Larin considers him to be one of the most incredible people of the XX century.
Meets famous collectionner from Moscow Ya.Ye. Rubinshtein, who buys six works of the artist (oil and watercolor);
1980
The artist creates the cycle of the watercolors of Moscow region in winter, the part of which will be purchased by Ya.Ye. Rubinstein and the Russian Museum;
V.Volkov indicated in the works “a new approach to the light”
V.Volkov indicated in the works “a new approach to the light”
Fall, 1981–1982
Again works at the House of Creativity “Goryachiy Klyuch”. As a result the Caucasus series are enlarged with first oil works. The long contact with the nature of Caucasus influenced greatly the creative development of the artist.
1982
First own exhibition in Moscow Drama Theatre after M.N.Yermolova (together with Ye.N.Kravchenko). Mostly presented the paintings of the last decade that were painted in the central Russia, Krasnodar and Magadan regions. The exhibition and the discussion that took place afterwards helped to open up Y.Larin.
He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time.
He met the ambassador of Italy to USSR Giovanni Migliuolo and became friends for a long period of time.
1979-1985
Within a few years during summer vacations Yuriy Larin works in Baltic. Creates a cycle of graphic watercolors on German paperboard. The landscapes on the constructive base greatly differ from Moscow and Caucasus cycles.
Fall, 1983
Trip to Armenia with his close friend Yu.M. Garushyants, historian. The result of that trip were thirty watercolor papers that continued the Caucasus cycle.
1985
In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya.
December, 1985
Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand.
1987
Death of his wife Inga Ballod
First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions.
First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions.
1985
In the almanac “Soviet Graphic” there is a publication about the watercolors of the artist that was written by G. Yelshevskaya.
December, 1985
Underwent the neurosurgery; as a consequence the loss of strength and skill in his right hand.
1987
Death of his wife Inga Ballod
First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions.
First personal exhibition overseas: exhibition of watercolors in the gallery Books&Company Art, NY, USA. Since then takes part in different foreign exhibitions.
1988
N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich”
1989
Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko.
Personal exhibition in Central House of Artists in Krymskiy Val.
Displayed over two hundred of watercolor and oil paintings, showed the series of “Moscow Region”, “Caucasus”, “The Baltic”, “Armenia”
Personal exhibition in Central House of Artists in Krymskiy Val.
Displayed over two hundred of watercolor and oil paintings, showed the series of “Moscow Region”, “Caucasus”, “The Baltic”, “Armenia”
1991
Trip to Abkhazia with his wife Olga, continued working on the cycle “Caucasus”
1992 – 1993
The Heinrich Boell Foundation Fellow (Germany);
Summer, 1992; For around three months Yuriy Larin spent in countryhouse of H.Boell in Langerbroh (Eifel, Germany).
As a result there were created the series of Eifel landscapes on six canvases and more than forty watercolors.
Summer, 1992; For around three months Yuriy Larin spent in countryhouse of H.Boell in Langerbroh (Eifel, Germany).
As a result there were created the series of Eifel landscapes on six canvases and more than forty watercolors.
1988
N.I.Bukharin’s rehabilitation, after that Yuriy Larin was able to change his patronymic “Borisovich” to “Nikolayevich”
1989
Gets married. The wife - Olga Arsenyevna Maksakova, doctor, Lead researcher at the Institute of neurosurgery named after Burdenko.
Personal exhibition in Central House of Artists in Krymskiy Val.
Displayed over two hundred of watercolor and oil paintings, showed the series of “Moscow Region”, “Caucasus”, “The Baltic”, “Armenia”
Personal exhibition in Central House of Artists in Krymskiy Val.
Displayed over two hundred of watercolor and oil paintings, showed the series of “Moscow Region”, “Caucasus”, “The Baltic”, “Armenia”
1991
Trip to Abkhazia with his wife Olga, continued working on the cycle “Caucasus”
1992 – 1993
The Heinrich Boell Foundation Fellow (Germany);
Summer, 1992; For around three months Yuriy Larin spent in countryhouse of H.Boell in Langerbroh (Eifel, Germany).
As a result there were created the series of Eifel landscapes on six canvases and more than forty watercolors.
Summer, 1992; For around three months Yuriy Larin spent in countryhouse of H.Boell in Langerbroh (Eifel, Germany).
As a result there were created the series of Eifel landscapes on six canvases and more than forty watercolors.
1993
“His (Y.Larin’s) interaction with the treasures of classic picteristique legacy has no addresses. But.. his connection with the discoveries of Cezanne are clear” (Ye.Murina). “I would never compare the works of Yuriy Larin, it was already said that he is “stylistically the only one. It stays the same till nowadays…” (N.Ismailova), taken from the reaction in press to the personal exhibition in the magazine “Nashe Nasledie”.
1994–1996
Went twice to Italy with his wife Olga upon invitation of Michela Sandini, where the watercolors of Italian cycle were created.
They are based on real life impressions, but as always Yuriy Larin paints his paintings by memory. The oil landscapes that became part of “Italian cycle” were painted in Moscow in his studio. In 1997 the personal exhibition was devoted to Italian cycle by Yuriy Larin in State Institute of Art Studies.
They are based on real life impressions, but as always Yuriy Larin paints his paintings by memory. The oil landscapes that became part of “Italian cycle” were painted in Moscow in his studio. In 1997 the personal exhibition was devoted to Italian cycle by Yuriy Larin in State Institute of Art Studies.
1997
First landscapes with human figures start to appear in the following oil paintings: “Swimming in Kratov Lake” and “Dacha Evening”
May-June, 1998
Personal exhibition in Moscow State Museum of Vadim Sidur.
June- was awarded with a Diploma of the Academy of Arts for valuable contribution to the development of domestic art. The same year academician Konovalov, neurosurgeon, operated him again.
Fall he spends near Zvenigorod, where continues watercolor series of Russian landscapes.
June- was awarded with a Diploma of the Academy of Arts for valuable contribution to the development of domestic art. The same year academician Konovalov, neurosurgeon, operated him again.
Fall he spends near Zvenigorod, where continues watercolor series of Russian landscapes.
September, 1999
Trip to Gagra (Abkhazia). Continues working on Caucasus cycle. Watercolor series were created, continued the work with oil in the studio.
1993
“His (Y.Larin’s) interaction with the treasures of classic picteristique legacy has no addresses. But.. his connection with the discoveries of Cezanne are clear” (Ye.Murina). “I would never compare the works of Yuriy Larin, it was already said that he is “stylistically the only one. It stays the same till nowadays…” (N.Ismailova), taken from the reaction in press to the personal exhibition in the magazine “Nashe Nasledie”.
1994–1996
Went twice to Italy with his wife Olga upon invitation of Michela Sandini, where the watercolors of Italian cycle were created.
They are based on real life impressions, but as always Yuriy Larin paints his paintings by memory. The oil landscapes that became part of “Italian cycle” were painted in Moscow in his studio. In 1997 the personal exhibition was devoted to Italian cycle by Yuriy Larin in State Institute of Art Studies.
They are based on real life impressions, but as always Yuriy Larin paints his paintings by memory. The oil landscapes that became part of “Italian cycle” were painted in Moscow in his studio. In 1997 the personal exhibition was devoted to Italian cycle by Yuriy Larin in State Institute of Art Studies.
1997
First landscapes with human figures start to appear in the following oil paintings: “Swimming in Kratov Lake” and “Dacha Evening”
May-June, 1998
Personal exhibition in Moscow State Museum of Vadim Sidur.
June- was awarded with a Diploma of the Academy of Arts for valuable contribution to the development of domestic art. The same year academician Konovalov, neurosurgeon, operated him again.
Fall he spends near Zvenigorod, where continues watercolor series of Russian landscapes.
June- was awarded with a Diploma of the Academy of Arts for valuable contribution to the development of domestic art. The same year academician Konovalov, neurosurgeon, operated him again.
Fall he spends near Zvenigorod, where continues watercolor series of Russian landscapes.
September, 1999
Trip to Gagra (Abkhazia). Continues working on Caucasus cycle. Watercolor series were created, continued the work with oil in the studio.
2000
In summer lives in countryhouse in Kratovo, continues working on “Dacha cycle”;
September- trip to Italy: lives in the city of Bassano-on-Tibr (near Rome). Creates a series of watercolor works that continue Italian cycle; in winter he created the following works : “Big Olive”, “The House of Alvaro”, “House in the air”.
September- trip to Italy: lives in the city of Bassano-on-Tibr (near Rome). Creates a series of watercolor works that continue Italian cycle; in winter he created the following works : “Big Olive”, “The House of Alvaro”, “House in the air”.
September, 2001
Trip to Sozopol (Bulgaria); creates the watercolor series of Bulgarian landscapes. In winter Yuriy Larin paints the number of canvases dedicated to Sozopol. In 2002 arranges an exhibition in Bulgarian Culture Center; awarded with an honorary diploma and Commemorative Medal of Bulgarian Ministry of Cultural Affairs. Awarded with the Silver Medal of Arts Academy.
July, 2002
Trip to Curonian Spit (Nida, Litva). Returns to the Baltic theme; creates watercolor series of Neringa landscapes.
2003
In spring Yuriy Larin goes for a short trip to Solotcha (Ryazan Region); creates a small watercolor cycle, afterwards paints in the studio several oil paintings.
In summer continues to work in Kratovo; paints landscapes and compositions with human figures.
The artist spends the early fall in small Catalonian town Saint-Pol de- Mar with his wife Olga;
trip to Barcelona, gets acquainted with its museums; with the help of the sketches done in Catalonia creates picteristique cycle, devoted to Saint-Pol de Mar.
In summer continues to work in Kratovo; paints landscapes and compositions with human figures.
The artist spends the early fall in small Catalonian town Saint-Pol de- Mar with his wife Olga;
trip to Barcelona, gets acquainted with its museums; with the help of the sketches done in Catalonia creates picteristique cycle, devoted to Saint-Pol de Mar.
2004
Resumes work on the Baltic motifs, during the summer trips to Nida creates a series of watercolors and gouaches devoted to; in winter continues this work using the technique of oil painting on the basis of the summer sketches.
In October-November, 2004 in Saratov Art Museum takes place personal exhibition on Yuriy Larin.
In October-November, 2004 in Saratov Art Museum takes place personal exhibition on Yuriy Larin.
2000
In summer lives in countryhouse in Kratovo, continues working on “Dacha cycle”;
September- trip to Italy: lives in the city of Bassano-on-Tibr (near Rome). Creates a series of watercolor works that continue Italian cycle; in winter he created the following works : “Big Olive”, “The House of Alvaro”, “House in the air”.
September- trip to Italy: lives in the city of Bassano-on-Tibr (near Rome). Creates a series of watercolor works that continue Italian cycle; in winter he created the following works : “Big Olive”, “The House of Alvaro”, “House in the air”.
September, 2001
Trip to Sozopol (Bulgaria); creates the watercolor series of Bulgarian landscapes. In winter Yuriy Larin paints the number of canvases dedicated to Sozopol. In 2002 arranges an exhibition in Bulgarian Culture Center; awarded with an honorary diploma and Commemorative Medal of Bulgarian Ministry of Cultural Affairs. Awarded with the Silver Medal of Arts Academy.
July, 2002
Trip to Curonian Spit (Nida, Litva). Returns to the Baltic theme; creates watercolor series of Neringa landscapes.
2003
In spring Yuriy Larin goes for a short trip to Solotcha (Ryazan Region); creates a small watercolor cycle, afterwards paints in the studio several oil paintings.
In summer continues to work in Kratovo; paints landscapes and compositions with human figures.
The artist spends the early fall in small Catalonian town Saint-Pol de- Mar with his wife Olga;
trip to Barcelona, gets acquainted with its museums; with the help of the sketches done in Catalonia creates picteristique cycle, devoted to Saint-Pol de Mar.
In summer continues to work in Kratovo; paints landscapes and compositions with human figures.
The artist spends the early fall in small Catalonian town Saint-Pol de- Mar with his wife Olga;
trip to Barcelona, gets acquainted with its museums; with the help of the sketches done in Catalonia creates picteristique cycle, devoted to Saint-Pol de Mar.
2004
Resumes work on the Baltic motifs, during the summer trips to Nida creates a series of watercolors and gouaches devoted to; in winter continues this work using the technique of oil painting on the basis of the summer sketches.
In October-November, 2004 in Saratov Art Museum takes place personal exhibition on Yuriy Larin.
In October-November, 2004 in Saratov Art Museum takes place personal exhibition on Yuriy Larin.
2006
In April- May a personal exhibition of oil paintings “Saint-Pol-de-Mar” takes place in magazine “Nashe Nasledie”
During another summer season in Nida the artist again became seriously ill, as the consequences there were more limitations on his physical abilities. Nevertheless, his career and exhibitions did not stop.
During another summer season in Nida the artist again became seriously ill, as the consequences there were more limitations on his physical abilities. Nevertheless, his career and exhibitions did not stop.
2011
Exhibition took place in the Museum “Tsaritsyno”. In 16 halls there were more than 250 works, encompassing the long path of the artist. The same year watercolor and oil works were exhibited in the house-museum of Pavel Kuznetsov in Saratov.
2013
The album containing not only the majority of the works of Yuriy Larin, but also his memories of his childhood, the thoughts on the connection between the nature and art was published. In fall, 2013 the last exhibition during the artist’s lifetime took place in the Moscow Gallery “Kino”, devoted to the album presentation.
2012 — 2014
During winter the artist would work at home, in summer he would go to the Moscow Region, Malakhovka, where he worked on graphics.
2014
On the night of 14 to 15 September, 2014 Y.N.Larin passed away at home, leaving on molbert his last yet not finished work called “Sad Piggy”
2006
In April- May a personal exhibition of oil paintings “Saint-Pol-de-Mar” takes place in magazine “Nashe Nasledie”
During another summer season in Nida the artist again became seriously ill, as the consequences there were more limitations on his physical abilities. Nevertheless, his career and exhibitions did not stop.
During another summer season in Nida the artist again became seriously ill, as the consequences there were more limitations on his physical abilities. Nevertheless, his career and exhibitions did not stop.
2011
Exhibition took place in the Museum “Tsaritsyno”. In 16 halls there were more than 250 works, encompassing the long path of the artist. The same year watercolor and oil works were exhibited in the house-museum of Pavel Kuznetsov in Saratov.
2013
The album containing not only the majority of the works of Yuriy Larin, but also his memories of his childhood, the thoughts on the connection between the nature and art was published. In fall, 2013 the last exhibition during the artist’s lifetime took place in the Moscow Gallery “Kino”, devoted to the album presentation.
2012 — 2014
During winter the artist would work at home, in summer he would go to the Moscow Region, Malakhovka, where he worked on graphics.
2014
On the night of 14 to 15 September, 2014 Y.N.Larin passed away at home, leaving on molbert his last yet not finished work called “Sad Piggy”
The State Russian Museum
Saint Petersburg
The State Tretyakov Gallery
Moscow
The State Museum of Oriental Art
Moscow
Radischev Art Museum in Saratov
Saratov
Historical-Architectural and Art Museum “New Jerusalem”
Istra (Moscow Region)
Branch of the State Museum
of People’s Art in Armenia
of People’s Art in Armenia
Dilijan
The Union of Art Museums and the centers of aesthetic education of the republic Udmurtiya
Ijevsk
Volgograd Museum of Fine Arts
Volgograd
Tomsk Regional Art Museum
Tomsk
Eastern-Kazakhstan Art Museum
Semey
Moscow State Museum of Vadim Sidur
Moscow
Andrey Sakharov Museum
Moscow
State Literature Museum
Moscow
The collection of the magazine “Nashe Nasledie”
Moscow
The collection of the Heinrich Boell Foundation
Berlin
1981
The sixth All-Union watercolor exhibition. Moscow
1982
Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow.
1985
The eighth All-Union watercolor exhibition. Moscow
1987
The ninth All-Union watercolor exhibition. Moscow.
1989
Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
1992
Personal exhibition of Russian and German landscapes. Duren, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
1993
Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow
1994
Personal watercolor exhibition. Gallery “The Art of the XX century”.
Bonn, Germany
Bonn, Germany
1996
Personal exhibition of portraits and landscapes. World Bank Moscow Office
1997
Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
1998
Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur.
Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
2000
Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow
Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany.
Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany.
2001
Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
Exhibition devoted to nudes. Gallery on Peschanaya. Moscow.
Exhibition devoted to nudes. Gallery on Peschanaya. Moscow.
2002
Personal exhibition “Yuriy Larin. The works of different years”.
Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow.
Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow.
2004
Personal exhibition “YURIY LARIN. Harmony and plasticity”.
Radischev Saratov State Art Museum.
Radischev Saratov State Art Museum.
2006
Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow.
2011
Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow.
2013
Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013
Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23
Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23
2015
Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11.
Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13
Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13
2016
Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016
2016
Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016
1981
The sixth All-Union watercolor exhibition. Moscow
1982
Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow.
1985
The eighth All-Union watercolor exhibition. Moscow
1987
The ninth All-Union watercolor exhibition. Moscow.
1989
Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow.
13 Biennale of the countries of the Baltic Region in Rostock, Germany.
1992
Personal exhibition of Russian and German landscapes. Duren, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany.
1993
Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow
1994
Personal watercolor exhibition. Gallery “The Art of the XX century”.
Bonn, Germany
Bonn, Germany
1996
Personal exhibition of portraits and landscapes. World Bank Moscow Office
1997
Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow.
1998
Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur.
Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
Exhibition of new collections and gifts. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
2000
Exhibition “Image and transformation in art”. The Ministry of Cultural Affairs of the Russian Federation, Russian Cultural Foundation. Moscow
Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany.
Personal exhibition “German landscapes in the eyes of the Russian artist”. Gallery “Yunge”, Dortmund, Germany.
2001
Exhibition “East and West”. Historical-Architectural and Art Museum “New Jerusalem”. Istra. Moscow region.
Exhibition devoted to nudes. Gallery on Peschanaya. Moscow.
Exhibition devoted to nudes. Gallery on Peschanaya. Moscow.
2002
Personal exhibition “Yuriy Larin. The works of different years”.
Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow.
Bulgarian Cultural Center, Art-studio “TAGRY”. Moscow.
2004
Personal exhibition “YURIY LARIN. Harmony and plasticity”.
Radischev Saratov State Art Museum.
Radischev Saratov State Art Museum.
2006
Personal exhibition “Saint-Pol-de-Mar”. Exhibition hall of Magazine “Nashe Nasledie”. Moscow.
2011
Personal exhibition “Harmony and plasticity. The artist Yuriy Larin’s works”. Museum-reserve Tsaritsyno. Moscow.
2013
Personal exhibition and album presentation. Yuriy Larin “Selected”. Gallery “Kino”. 9-18 October, 2013
Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23
Personal exhibition “Yuriy Larin’s space”. State Literature Museum. January, 29 - February, 23
2015
Personal exhibition “The reality of the space lighting” The gallery of Nazarov. Lipetsk. March, 14- April, 11.
Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13
Personal exhibition “Yuriy Larin. Monolog of a happy person” State Museum of St.Petersburg’s History. Petropavlovskaya fortress, Nevskaya courtina.July, 30 - September, 13
2016
Personal exhibition “Yuriy Larin. Art- timeless plot. Yaroslavl Art Museum. December, 12, 2015 - February, 18, 2016
2016
Personal exhibition “The geography of light. Art and graphic of Yuriy Larin”. Moscow. Noviy Manej. April. 1 - April, 24, 2016